I remember my first trip to my local art supply store when I began painting ten years ago. I recall my feeling of utter confusion as I perused the aisles. This particular art store had every tube of paint, brush, medium, and canvas known to man, far too many choices for a confused beginner. After several moments, a salesperson came by and began to assist me in finding the supplies I needed. To make a long story short, I left the store 30 minutes later with a box full of supplies, half of which I had no idea what to do with. I wish I knew then what I know now. I could have saved myself a lot of money.
When you are first starting in oil painting, you shouldn’t go overboard on supplies. It’s best to start with the basics. When you become more experienced, you can then try out different supplies until you find the items you are most comfortable working with.
Oil Painting Brushes
Brushes come in various sizes and shapes, from flats to brights to rounds. They are also available at different prices. Brushes are something you should spend a bit extra on and shoot for quality. You don’t want cheap brushes. Cheap brushes are a headache, mainly because they shed hair and lose shape quicker than quality brushes. The types of brushes you purchase depend on the type of paint you plan on doing: landscapes, portraits, impasto work, etc., all call for certain types of brushes. You will only learn this over time as you become more experienced and develop your style. For starters, I would purchase a few flats of various sizes, a few small rounds for detailed work, and a fan for blending. Make sure to also purchase a good brush cleaner and preserver. I use the Marx Brush Care System for cleaning and preserving my brushes, and it works great.
Oil Paints
Oil paint also varies in price and quality. There are some good paints on the market today. I prefer to work with Grumbacher Artist Oils, but Winsor & Newton oil paints are also popular. There are different grades of paint. There are student grade paints and professional grades. My preference is to work with the professional grades, as the colors are more brilliant than student-grade paints. I guess it’s ok in the beginning to purchase a lesser quality for learning and experimentation. I guarantee once you try the professional-grade paints, you will never go back to student grade. This is my opinion, of course. Artist color choices vary. Some prefer a limited palette of only a few colors, while others prefer to have a variety of different colors at their disposal.
Here are the colors of my palette. You do not have to buy these exact colors, as this is only my preference that has developed over time.
Cadmium Yellow Light
Yellow Ochre
Cadmium Red Light
Cadmium Orange
Burnt Sienna
Raw Sienna
Burnt Umber
Alizarin Crimson
Sap Green
Thalo Blue
Ivory Black
Titanium White
Oil Painting Mediums
Medium preference varies greatly from artist to artist. I think every artist has personal mixtures and formulas. I use linseed and poppy oil. Linseed oil tends to yellow the colors so I do not mix it with my lighter color mixtures. For lighter color mixtures, I use poppy oil as it has less of a tendency to be yellow. There are other mediums available. I recommend that you try your mediums and recommendations from artists until you find something that produces the results you are after.
Canvas and Other Supports
The support that many artists work with is cotton canvas, but there are other supports available. Some other choices are linen canvas, boards, and canvas paper, for instance. You could also buy rolled canvas and stretch your own if desired. This again is something you have to experiment with until you find a support that works best with your style of painting. I recommend starting with a few smaller to medium-sized canvases. I work with FREDRIX Red Label Stretched Cotton Canvas. Red Label is a medium textured quality canvas excellent for use with oils and a popular choice amongst oil painters.
Palette
Palettes are made from various materials, including glass, wood, plastic, and even paper. My palette of choice is the BOB ROSS Clear Palette. It is easy to clean, holds a lot of paint with adequate room to mix your colors, and is also priced reasonably.
Easels
Easels are also available in various sizes and price ranges. You will need a stable easel to paint on; otherwise, your canvas will wobble around when you paint. This can be frustrating. Decide whether you will be painting primarily in your studio or outdoors. If you are painting outdoors, you should consider purchasing a French easel. The JACK RICHESON Academy Verona Half French Easel is a good buy. If you work primarily in your studio, then you have a lot of easels to choose from. I use a STANRITE 500 Classic Aluminum Easel. It’s an excellent easel that is both lightweight and sturdy. It is set up easily and can be folded for easy transport.
I truly hope this article has helped. Happy Painting and God Bless!
